Jill Garber Couture
19 th. C. Venetian Three Graces Cameo Cuff in Sterling Silver and 14 Kt. Gold - SOLD
Exquisitely handcrafted in Jill Garber’s USA studio, this one-of-a-kind Rococo-inspired cuff showcases a finely hand-carved 19th-century natural shell cameo depicting the Three Graces, emblematic of beauty, charm, and harmony in classical mythology. The cameo is elegantly framed by a pair of winged angels in sterling silver, as if gently embracing the central figures, while two natural turquoise cabochons with intricate matrix are positioned above and below, adding depth, color, and a touch of earthly elegance.
The cameo itself is mounted in 14-karat gold, highlighting its historical and artistic significance, while the sterling silver cuff is handcrafted with Jill Garber’s signature patina, reflecting meticulous attention to detail and timeless artistry. This bracelet is a true fusion of Rococo romance, classical symbolism, and modern luxury craftsmanship, making it an extraordinary collectible and statement piece.
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19th-century hand-carved shell cameo of the Three Graces, mounted in 14K gold
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Natural greenish turquoise cabochons with complex matrix
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Pair of finely detailed sterling silver winged angels
- Uniquely Designed by Jill Garber and Handcrafted in her USA Studio
* 19th-Century Hand-Carved Shell Cameos and the Three Graces
Hand-carved shell cameos of the 19th century represent the pinnacle of Victorian artistry and craftsmanship, often depicting classical figures, mythological scenes, and allegorical motifs. Among the most beloved subjects was the Three Graces, emblematic of beauty, charm, and creativity, a theme with roots in Renaissance and earlier classical art. Artisans carefully sculpted these delicate figures in relief on natural shells, creating miniature masterpieces that combined technical precision with poetic elegance. The Graces were celebrated not only for their aesthetic appeal but also for their symbolic resonance, representing harmony, social grace, and artistic inspiration—qualities that resonated deeply with 19th-century collectors. Set into gold, silver, or luxury jewelry settings, these cameos were considered heirloom-quality treasures, reflecting both the wearer’s refinement and a reverence for historical artistry.
In classical mythology, the Three Graces, also known as the Charites in Greek mythology, were goddesses who personified beauty, charm, and creativity. They were typically depicted as a trio of youthful, graceful women who often appeared dancing or embracing one another, symbolizing harmony, joy, and elegance.
The most commonly cited names of the Graces in Greek myth are:
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Aglaea – “Splendor” or “Brightness,” associated with radiance and beauty.
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Euphrosyne – “Mirth” or “Joyfulness,” representing happiness and good cheer.
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Thalia – “Good Cheer” or “Blooming,” embodying abundance and festivity.
They were considered companions of Aphrodite, the goddess of love, and were often invoked in art and literature to celebrate artistic inspiration, social grace, and the pleasures of life. Their influence extended beyond Greek myth into Roman culture, the Renaissance, and later 19th-century decorative arts, where they became enduring symbols of elegance and refinement, frequently depicted in cameos, paintings, and sculpture.
